Emela Brace Nomolos

Written By Contemporary Art Collectors

On a Never-Ending Quest to Mend the World Through the Magic and Secrets of Art

With a heart devoted to healing and a vision rooted in transformation, I walk the path of an artist, a dreamer, and a relentless believer in the power of creativity to save humanity. Each brushstroke, installation, and immersive experience I create is a step toward a more compassionate, conscious world. Along this journey, I have been humbled and honored to receive the following recognitions:

  • United Nations SDG 3.4 Award – Honored for advancing mental health initiatives in alignment with the UN Agenda 2030, championing emotional well-being through art.

  • United Nations SDG 5 Award – Recognized for impactful work in gender equality, empowering voices and fostering inclusive spaces through creative expression.

  • Winner at The Oculus, World Trade Center, NYC – Celebrated for my work with Canvas 3.0 and MetaBetties, presented during Art Basel for visionary contributions at the intersection of art and technology.

  • Exhibited with Pinelo Gallery, Tokyo, Japan – Acknowledged for excellence in international contemporary art.

  • Featured Artist at Art Cave, New York City – Honored for groundbreaking creative innovation and a transformative approach to storytelling through visual mediums.

  • Winner with Awedacity – Recognized for global artistic impact with exhibitions in both London and New York City.

  • Featured at The Gates Hotel, Miami – Selected for artistic distinction and contribution to one of Miami’s premier creative venues.

  • Winner with Archiv3 at Canvas 3.0 Gallery, NYC – Celebrated once again at The Oculus for forward-thinking contributions to immersive art.

  • Awarded by Youth for Privacy, United Nations – Recognized for advocacy and visual work promoting cybersecurity awareness and digital rights.

  • Named Among “115 Best Artists of Our Generation” by HUGS (Founded by Randi Zuckerberg) – A heartfelt recognition from a community of visionaries in New York City.

  • Award Recipient in Canada – Honored for excellence and meaningful engagement through the visual arts.

  • Winner of a Solo Show in New York City – Acknowledged for individual artistic brilliance and deep emotional resonance in storytelling.

  • International Prize: Artist of the French Riviera – Awarded at the Musée National du Sport in Nice, France, for outstanding international artistic achievement.

Emela, your artwork consistently integrates symbolism derived from cosmic visions and extraterrestrial interactions. Could you elaborate on how these symbolic languages, embedded in your creations, challenge or redefine humanity’s conventional understanding of reality, spirituality, and scientific inquiry?

“In every work I create, a symbol is born — a transmitter of illumination and light, designed to speak directly to the soul. My art is not merely a visual experience; it is a vessel of transformation. Each piece carries encoded language and cosmic memory that aims to awaken human intelligence and open portals to deeper truths about our origins and purpose. Through these symbols, I seek to dissolve the boundaries between the earthly and the extraterrestrial, the spiritual and the scientific.

My creations are an offering — a form of guidance that urges humanity to remember its immense energetic potential and its forgotten connection to the cosmos. I want people to understand that we are not accidental or ordinary; we are extraordinary beings, each carrying a unique resonance that mirrors the intelligence of the universe itself.

For centuries, systems of control — caste, dogma, division ,have built invisible fences around the human spirit, discouraging exploration and autonomy. My work challenges these inherited structures, encouraging viewers to question imposed limitations and rediscover their multidimensional nature.

The human body is not a cage ,it is a vault, a living archive of cosmic information. Through my art, I aim to unlock that vault, to inspire the soul to rise, to remember, and to reconnect with the living universe and the many worlds that exist beyond our own. This is not just about seeing — it is about awakening. That is the true purpose of my symbolism.”

You describe your mission as a healing and enlightening endeavor guided by extraterrestrial beings. How do you envision the role of art specifically as a medium capable of fostering global healing, given our contemporary climate of cultural division and environmental distress?

I deeply believe that art is one of the most powerful and sacred mediums for the healing of humanity — emotionally, spiritually, and even physically. In this time of global fragmentation, environmental crisis, and spiritual disconnection, art has the capacity to cross all boundaries — of language, culture, belief — and speak directly to the heart. It is through art that I transmit the messages I receive from extraterrestrial beings, because these messages are meant to reach humanity in the purest, most sincere, and penetrating way.

Each painting I create is more than an image — it is a living transmission. That is why many of my works are in strong relief: I want people not only to see but to feel. I want them to close their eyes, run their hands across the surface, and connect with the vibration, the energy, and the silent guidance embedded within the work. Even without sight, the soul knows how to recognize truth.

My dream is not just to create art for galleries, but to place some of these works in the hands of world foundations and humanitarian institutions. I want the energy of these creations to not only awaken consciousness, but to generate tangible good — to help end hunger, to provide care for children, for women, and for families in need. Every donation received through these works should become a seed of healing on the Earth.

Helping others is what brings me true joy, and healing humanity is the center of my mission. And believe me — this is also the mission of the beings who guide me. They are not here for conflict. They are not here to dominate. They are here to assist, to awaken, and to support our evolution. They have seen what we are capable of, and they believe in us. My art is a bridge — between their world and ours, between pain and healing, between forgetfulness and remembrance. Through it, I hope we can all find our way back to each other, and to the truth of who we really are.”

The beings portrayed in your art are characterized by distinctively large, penetrating eyes, reminiscent of the depictions common in modern alien iconography. How do you balance the personal authenticity of your encounters with cultural narratives surrounding extraterrestrial imagery, and how does this tension influence your artistic direction?

To be honest, I have spoken about these beings with people from all walks of life — across cultures, beliefs, and continents — and one thing remains universal: the shared sense that we are not alone. There is a growing openness in our world today, a collective remembering, and I feel grateful that humanity is finally beginning to accept, support, and even believe in the existence of extraterrestrial beings. The graphic language of our time — films, art, media — has helped pave the way for this awakening.

The beings I portray in my work are not fictional; they are part of my lived experience. They are radiant, deeply intelligent, and compassionate entities — most often appearing in luminous shades of blue, with large, penetrating eyes that see far beyond the surface. Their eyes are not just symbols — they are portals, mirrors, reminders of a deeper truth. These beings are protectors. Guardians. They have fought, and continue to fight, to shield our planet and preserve its healing potential against forces that seek to manipulate or divide us.

My art honors their mission — which is, ultimately, our shared mission: to reconnect, to remember, and to heal. The connection between us and these beings is ancient. It once flowed freely, but was severed long ago when darker, manipulative energies interfered with humanity’s path. Through my work, I strive to restore that lost connection — to reignite the dialogue, soul to soul, between humans and the cosmic family we have forgotten but never truly lost.

So while the imagery I use may resonate with familiar cultural archetypes, what guides my hand is something deeply personal and sacred. It is not about following a trend — it is about truth. And the truth, once remembered, has the power to transform not only our understanding of the universe, but of ourselves.”

Your forthcoming 94-page Hermetic Codex, filled with cosmic revelations and universal codes, promises profound insights into humanity and history. Could you discuss your creative and spiritual process behind compiling this codex, and how you select which extraterrestrial messages become part of your artistic documentation?

This hermetic Codex is titled: “The Nomolos Code”
A Lost Codex from Beyond Time and Space
“When the symbols appeared in my visions, I knew they were not mine alone. They are meant for humanity.”

The Nomolos Code is a hand-crafted, visionary manuscript — a codex born not from the ordinary world, but from altered states of consciousness and profound contact with non-human intelligence. Received through visions, transmissions, and interdimensional experiences, this sacred work carries within it symbols, equations, blueprints, and metaphysical truths that stretch across time, space, and civilization.

Entirely handwritten and intuitively designed, The Nomolos Code holds encoded knowledge in the form of sacred geometry, mathematical harmonics, linguistic riddles, and cosmic cartography. It is a key — or many keys — waiting to be turned by those with open minds and awakened sight.

What the Codex Holds

  • Contained within its 94 pages are radical revelations and reimagined histories, including:

  • The secret behind Tesla’s 3-6-9 universal code and its energetic mechanics

  • The hidden design and divine purpose of the Egyptian pyramids

  • Maps and blueprints of lost Atlantean technologies and architecture

  • The sacred geometric patterning of Solomon’s Temple, decoded

  • A new reading of the Sator Square and other forbidden linguistic keys

  • Diagrams of extraterrestrial DNA and its synthesis with human evolution

  • A revisionist understanding of Alexander the Great’s cosmic role

  • Esoteric knowledge embedded in the ruins of Heliopolis and Baalbek

  • A reinterpreted account of the Old Testament of Alexandria

  • A multidimensional insight into the Bermuda Triangle

  • A metaphysical exposé on the manipulated legacy of Simón Bolívar

How It Was Received

Between 2016 and the present, I underwent a series of visionary states — often beginning in episodes of sleep paralysis but evolving far beyond any psychological frame. In these altered states, I encountered beings and intelligences that shared not just messages, but maps. What I documented during and after these transmissions became The Codex.

This was not made with conventional tools. There were no blueprints to follow. Each line, each symbol, came through as a download — urgent, precise, and luminous.
Why It Matters
The Nomolos Code is more than art.
It is more than philosophy.
It is a transmission, a puzzle, and an invitation.
It challenges humanity to look again — not only at our past, but at our potential. At what we have forgotten. At what has been hidden. It merges sacred science, hidden history, and extraterrestrial intelligence into a singular, living document that defies classification.

In a time of great global uncertainty, cultural division, and spiritual amnesia, The Nomolos Code offers a different kind of light: one that pierces illusion, reawakens ancient memory, and opens new portals of understanding.

This Codex is now ready to be brought to the world.
To those who seek truth not in textbooks, but in frequencies.
To those who feel the past vibrating beneath the present.
To those who remember.

Gemstones such as jade, sapphire, and diamonds feature prominently in your works, chosen not only for aesthetic appeal but also for their purported energetic and metaphysical qualities. Can you explain the role these stones play in amplifying the extraterrestrial messages you communicate, and how their inclusion shapes the viewer's experiential interaction with your pieces?

The Role of Sacred Stones in My Work

In my art, the inclusion of precious stones such as imperial jadeite jade, sapphires, rubies, diamonds,and grandidierites is not simply decorative — it is deeply intentional. These stones are ancient living energies. They hold frequencies that resonate with the human spirit, and when placed within a work of art, they become transmitters of light, healing, and awakening.

Each stone carries its own vibration:

  • Imperial jadeite jade opens the heart, fostering peace, balance, and inner alignment with truth.

  • Sapphire sharpens spiritual insight, clarity, and communication with higher realms.

  • Ruby is the stone of life force — courage, passion, and the fire of transformation.

  • Diamond reflects purity, eternal light, and the indestructible essence of the soul.

  • Grandidierite, one of the rarest gems, connects to deep soul memory and the sacred purpose encoded in our DNA. These stones do not serve as portals to extraterrestrial beings. They are not a bridge to those realms — because that bridge is not ours to build. The connection with extraterrestrial intelligences cannot be forced, summoned, or chosen by us. It is they who choose. Who. When. And how. That sacred relationship is offered only to a few, and always with purpose. I was chosen. Not because I am greater than anyone else, but because the frequency of my soul aligned with their mission. What I create is born from that alignment. And when I embed these stones in my work, it is not to reach them — but to help us. To help humanity remember. To awaken the heart. To stabilize the body. To open the subtle fields of awareness necessary to receive higher frequencies of truth.

When viewers engage with these works — when they see, touch, and feel the stones — they are not connecting with beings beyond the stars. They are connecting with themselves at a higher level. They are aligning with the Earth, with their purpose, and with the silent voice within that has always known: We are not alone. And we never have been.

Considering the ambitious nature of your art, which bridges interplanetary consciousness and terrestrial understanding, how do you navigate the inherent tension between public skepticism and the authenticity of your personal spiritual experiences, particularly within the critical and often conservative art world?

So far, I have been grateful to receive meaningful insights, curations, and even critiques from curators and art critics who have taken the time to truly see my work — not just on the surface, but through the layers of technique, vision, and the transmissions behind each piece. Many have been able to touch, even partially, the reality of the universe I channel — and some have even recognized and accepted the truth of these extraterrestrial beings and the messages they bring. That, to me, is a sign of awakening. Of listening. Of hope.

At the same time, I’ve been diving inward, studying the hearts and souls of other artists around the world — those who, like me, create from deep vision and emotion. And as I observe and feel their journeys, I sense something very profound forming within me… a conclusion I believe I am coming closer to every day:

Artists — wherever you are, whoever you are — love one another. Respect one another. Stand beside one another. Cooperate, create, and uplift without envy, without fear, without ego. Because the world needs us. The world needs your beauty, your courage, your light.
But above all… the world needs Love.

Love is one of the great lost phenomena of our time — lost not because it no longer exists, but because we have forgotten how to live through it. I feel this absence deeply, and I have made it my mission to help bring Love back to this Earth — through art, through connection, through truth.

If we as artists unite not only through skill, but through love — then we don’t just paint or sculpt or design. We heal. We remember. We help awaken a world that is aching to feel again. And that is a mission worthy of us all.”

Your vision includes an international collaboration of scientists, researchers, and other intellectuals to decode the Hermetic Codex. What do you believe is necessary for such interdisciplinary cooperation to be successful, especially given traditional barriers between science and metaphysical art?

The Nomolos Codex is not merely a work of metaphysical art — it is also a profound scientific document. Soon, the world will witness the unveiling of
THE NOMOLOS CODE —
a revelation unlike any in human history.

Manifesting as two monumental creations —
a Museum and an Art School —
this visionary project will illuminate the hidden truths of humanity, science, and the universe itself.

For the first time, the code that binds existence will be brought to light.
A profound realization will take shape through the hands of a world-renowned architect,
a master of extreme architecture, whose design will defy convention
and exist as a singular, breathtaking testament to human potential. Pro Architekten
The Best in Switzerland
Masterminds of Tomorrow
Bringing the Universe to Earth — One Vision at a Time.
With a grand plan shaped by precision, passion, and purpose,
Pro Architekten doesn’t just build spaces —
we design realities beyond imagination.
This is not just construction —
this is a calling, a transformation, a legacy.
The future begins here.

It stands at the convergence of two great forces: the spiritual and the scientific. Within its pages, ancient symbols, cosmic intelligence, and advanced technological principles are interwoven with precision — revealing a unified language that speaks to both the soul and the mind.
This union is not accidental. It is purposeful. For only by bringing these two forces together can we unlock the next evolution of human consciousness and civilization.
The Codex contains blueprints and knowledge capable of birthing technologies that will shape a new world system — one based not on domination, but on harmony, regeneration, and higher understanding. It points toward a future of radical cooperation between human and non-human intelligence, science and spirit, matter and energy.
Through this integration, we are offered not just innovation, but salvation — a chance to rebuild our relationship with the Earth, with one another, and with the greater universe to which we belong.
It is a call to awaken.
To reimagine.
And to co-create new sciences, new systems, and new worlds — for the healing and advancement of all humanity.

Throughout your life and artistic practice, you've repeatedly emphasized that artists hold a fundamental responsibility toward humanity’s spiritual and existential evolution. Could you reflect on how your relationship with your cosmic sources has evolved over the years, and how it has reshaped your perception of your role as an artist within society?

True artists carry the greatest mission on Earth.

They are not here by coincidence — they are ancient souls, reincarnated across millennia, each lifetime collecting fragments of wisdom, vision, and universal truth. Their essence holds energy that cannot be taught — only remembered. And I believe, with all my heart, that every true artist feels, deep within their soul, a silent yet undeniable connection to something beyond this world.

Even when they are unaware of it, they are transmitting. Even when they title a painting without overthinking, there is meaning behind it. There is always a message embedded in the work — one received from a higher frequency, filtered through their being, and offered to humanity. That is why the role of the curator and the critic is also sacred — it requires not just intellect, but intuition. To truly understand such art, one must also belong to that world.

Every artist, and every work of art, is a treasure — a living archive of symbols, keys, and secret messages waiting to be unlocked. These creations are not just expressions. They are instructions, memories, and maps for human evolution.

One of my most heartfelt missions is to discover and protect young talents — those pure souls whose gifts are often silenced before they are even heard. Too often, young artists are discouraged, redirected, or forced to abandon their path — told to become something they are not, something deemed more “practical” by families or society.

But these children did not come here to fulfill someone else’s dream.
They came with a mission.
And that mission will be fulfilled through the art they are meant to create.

I will do everything in my power to help protect their light — to guide, uplift, and preserve their truth — because the world cannot afford to lose them. Not now. Their visions are needed. Their energy is sacred. And through them, the future will remember what it means to feel, to create, and to love.

You mention receiving a special name: Nomolos, entrusted to you by extraterrestrial friends, which is connected to the secret knowledge of Solomon’s Temple. How does your artistic interpretation of this sacred knowledge influence the creative integrity and depth of your work, and in what ways will this revelation reshape contemporary views on spirituality and history?

The name Nomolos was not a creation of the mind — it was a transmission.
It arrived to me in childhood, as a message from beyond, from intelligences not of this Earth. At the time, I was too young to understand its weight or its purpose. I carried it silently, like a sacred seed waiting for the right season to bloom.

Years later, clarity emerged — not in the form of words, but through a formula, a hidden equation woven with sacred geometry, magic numbers, and metaphysical architecture. This equation is intimately connected to the Temple of Solomon, a structure whose proportions and placement are far more than symbolic — they are cosmological, mathematical, and energetic.

What was once a mysterious word — Nomolos — revealed itself as a reversal, a code, a path. A bridge between divine intelligence and scientific inquiry. It is not simply spiritual; it holds the potential for scientific revelation. It may well be part of an undiscovered field — one that merges consciousness, quantum design, and ancient technologies in ways we are only beginning to glimpse.

This equation is not yet solved.
Not because it is unsolvable — but because the right minds have not yet come into alignment with it.

I have not yet entrusted it to anyone, because this knowledge must go into the safe, ethical, and awakened hands of science — those who understand not only how to calculate, but how to reverence. It is a gift, but also a test: to see if humanity is ready to bridge the realms of light and logic.

Until then, the code waits.
The formula waits.
And I wait — for the moment when science and spirit meet not in opposition, but in harmony.
Only then can Nomolos reveal the full light it was destined to bring to this world.

With your art challenging traditional museum narratives and humanity’s historical storytelling, what advice would you offer to curators and institutions about embracing new, unconventional artistic expressions like yours, especially as the art world navigates a period of profound cultural and philosophical transformation?

An Open Message to Curators, Art Institutions, and Art Critics

The time has come for deep reflection, honesty, and fairness within the art world. To all curators, institutions, and critics: you hold immense responsibility. It is no longer acceptable to curate with manipulation, to choose with bias, or to elevate what is not art while ignoring those who create with truth, depth, and mastery. The backstage systems of favoritism and corruption must come to an end.

This message is not for those few curators and critics who remain principled — those who see with clarity and choose with integrity. To you, I express gratitude. You are the ones keeping the spirit of art alive. May more institutions follow your example.

But to those who have lost their way: it is time to remember your purpose. Art does not exist to serve ego, trends, or agendas. It exists to challenge, to heal, to reveal — and only the artist who created a work truly knows its essence, its story, and its truth.

Artists: you must also rise. Learn to say NO when you encounter injustice. Do not bow to those who distort or misrepresent your work. Stand firm in your voice and your vision.
Because the truth is this: a new era is approaching — one in which artists will reclaim the full power of their expression. One in which the need for intermediaries will diminish, and the artwork will speak for itself, directly to the soul of the viewer, unfiltered and unmanipulated.
Let us build that future with courage, integrity, and the unwavering belief that true art deserves honesty — not politics.

Contemporary Art Collectors
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Joel Simpson