Anastasia Schipanova

The term you have coined, “Energy Abstract,” resists conventional formalist description, yet it simultaneously asserts a proprietary authorship and a structured philosophy. In the history of abstraction, from the spiritual aspirations of early modernism to the dematerialization of the art object in conceptual practices, abstraction has often carried utopian ambitions. How does your articulation of energy abstraction position itself in relation to this lineage, particularly in its insistence on measurable vibration and psychological transformation rather than purely optical experience?
I graduated as a psychologist, and I have spent around 15 years in the art world as an artist, almost 20 years of experience in total. What I can say, that psychological factors are always present in our lives, every day and every minute. And color is a language that artists use in painting. It is one of the most direct ways to express ideas and tell a story.