Brigitte Puschmann

Brigitte, your work repeatedly returns to the notion of transformation as both a perceptual and existential condition. In your multi-layered panels and interactive acrylic tiles, transformation seems not only depicted but structurally embedded, almost enacted. Could you speak about how material decisions such as layering, transparency, and modularity become agents of change themselves, rather than merely vehicles for representation?
Transformation in my work is not an image or a theme — it is embedded in the structure of the work itself. When I build up layers, shift translucent surfaces, or construct modular systems like in the Infinity series, I am creating conditions in which change can continuously occur. The acrylic tiles, for example, are not fixed compositions but open constellations; each reconfiguration produces a different visual reality.