Margaretha Gubernale

In your reflections on form, you describe harmony as the integration of multiple forms into an overarching unity; how do you approach composition so that this unity emerges organically, rather than appearing as a predetermined symbolic scheme imposed upon the canvas?
In nature, many forms are present in a single creation and are harmoniously connected. Therein lies my observation about the democratic use of forms. Harmony arises through adaptation and a certain tolerance.