MiJung Yun

MiJung Yun, your drawings appear to construct time not as a linear progression but as a density of marks, a field of accumulated gestures. Could you speak about how your artistic journey led you toward this temporal conception of image-making, and how the act of drawing itself became a way of thinking rather than merely representing?
I often lost track of time when I am drawing. When a particular visual image first appears, I feel compelled to stay with it until I fully move and accumulate across the surface over time. The density of marks I build is not immediately visible from a distance; it asks viewers to come closer, to slow down, and to spend time with the work. Through this, I hope viewers can sense the duration, the movement, and complex idea embedded within that space.