Veronique Avril

Veronique, in your recent works, one senses a persistent oscillation between the ornamental and the ontological, particularly in the way mechanical structures, organic motifs, and symbolic figuration cohabit a single pictorial field; could you elaborate on how this dialectic between artifice and nature functions not merely as aesthetic contrast but as a cognitive framework through which you negotiate subjectivity and perception?
My work is designed so that everyone can experience it in their own way, fully aware that the perception of a work of art differs from one person to another. I establish a cognitive framework through various motifs so that everyone can find their place within it. Everything in life is subjective beauty, art, aesthetics, and the perception of things and in this, I establish an aesthetic and cognitive framework.