Bobby Mercier

Biography

I am Bobby Mercier, a passionate traditional wood carver from the Confederated Tribes of Grand Ronde in Oregon. As one of only ten practicing traditional carvers in my community, I am deeply devoted to preserving the ancient techniques that have been handed down through countless generations.

My dedication extends beyond wood carving; I have also ventured into the realm of digital art, discovering innovative ways to convey timeless themes through modern mediums. My artwork acts as a vital link between ancestral heritage and contemporary expression, creating pieces that honor Indigenous culture while sparking new conversations and inspiring others.

Each of my carvings, whether crafted from wood or rendered digitally, carries a powerful narrative of resilience, identity, and an profound connection to the land and lineage that shapes my heritage. Through my art, I strive to keep these important stories alive, ensuring that the traditions of my people continue to influence and enrich the modern world.

My journey as both a traditional and digital artist reflects a commitment to cultural preservation and innovation, bridging the past and present to foster understanding and appreciation for Indigenous heritage. Every piece I create is more than just an object; it is a testament to the enduring spirit of my community and a call to recognize the value of our rich cultural legacy.

By blending traditional methods with contemporary tools, I aim to educate and engage broader audiences, making sure that the voices and stories of my people resonate powerfully in today’s world. This dual approach not only preserves age-old practices but also adapts them to meet the demands of a changing society, ensuring that our heritage remains relevant and impactful for future generations.

Artist Statement

My art is a reflection of where I come from and who I am. As a Chinookan carver and digital artist, I carry the stories, teachings, and spirit of my ancestors into every piece I create. I am an enrolled member of the Confederated Tribes of Grand Ronde, born and raised in Oregon, deeply rooted in this land and the traditions that shaped it. My hands learned their way through the cedar from those who came before me, and my heart stays close to the old ways, even as I explore new forms of expression.

For me, art is not just about creating something beautiful-it's about connection. It's how we speak across generations, how we honor the ones who came before us, and how we carry our culture into the future. I carve to remember. I design to preserve. I create so that our stories, our spirits, and our songs are not forgotten.

In a world that changes fast, I believe in grounding my work in identity. Whether I'm carving in the traditional Columbia River style or creating modern digital designs under BeartracksNDN, my goal is to keep our voices visible. I believe artists have a responsibility: to uplift community, to protect culture, and to speak truth. My work stands as both resistance and remembrance. It honors the power of place, the wisdom in the old ones, and the responsibility we carry forward. Art is ceremony. It is teaching. It is survival. And for me, it is home.

beartracksndn.com

The Carver

The caller 2005

Chief 2019

Coyotes power 2020

Face image 2021

Frog 2022

Feast platter 2015

Headman power pole 2017

Head women 2019

Power figure 2020

Alder moon and coyotes 2021

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